Dmytro Shovgelia
Cinematographer / Gaffer
Based in London, UK

Finding the right way to tell a story and immerse the viewer across different genres is what drives my creativity. I believe that visual storytelling is not only about technique — it also comes from life experience, curiosity and the way we see the world around us.
I started my journey in Ukraine, where I learned to work in very different conditions, solve problems on the go and deliver the result no matter what. I hold a Master’s degree in Cinematography from the Kyiv National I. K. Karpenko-Karyi University of Theatre, Cinema and Television, and I’m constantly looking for ways to improve my craft.
As a cinematographer, I’ve shot 12 short films, including fiction and documentary projects. Some of them have received recognition at international festivals. My Unfortunate Cats (2023) won Best Animal Film at the Fort Smith International Film Festival in Fort Smith, Arkansas, USA, while Geese of Love (2024) won Best Student Film at the Phoenix Film Festival in Phoenix, Arizona, USA. The Paper Knight (2024) was shortlisted for the National Competition of the Molodist Kyiv International Film Festival in Kyiv, Ukraine, while Love Geese was also selected for the competition programme of Mykolaichuk OPEN in Chernivtsi, Ukraine.
Alongside cinematography, I’ve worked as a gaffer on dozens of narrative, documentary and commercial productions, including projects that have received awards and official selections at Ukrainian and international festivals.
My experience also goes beyond film. I’ve worked on commercials, music videos, branded content, promotional campaigns, events and other visual productions, taking on different roles depending on what the project needs — from lighting and camera to colour and post-production.
I enjoy the technical side of filmmaking just as much as the creative one. Lighting, camera movement, composition and colour are all part of the same process for me — finding the right visual language for each project.
Nothing feels better to me than seeing the work of different departments finally come together in an image on the monitor.
That’s what I work for.
















































































Lyokha is dying. He solved all the things, but one thing left… cats.



































































































































































